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Francisco de Goya y Lucientes 's works
name
Biography:
    Francisco de Goya y Lucientes (1746-1828) Goya was born in a very poor village called Fuendetodos, near Saragossa, in Aragon, on 30 March 1746. Goya¡¯s father was a gilder in Saragossa and it was there that Goya spent his childhood and adolescence. He began his artistic studies at the age of 13 with a local artist, Jos¨¦ Lus¨¢n, who had trained in Naples and who taught Goya to draw, to copy engravings and to paint in oils. In 1763 and 1766, he competed unsuccessfully for a scholarship of the Royal Academy of San Fernando in Madrid, probably working in the studio of the Court Painter Francisco Bayeu, who was also from Saragossa. To continue his studies he went to Rome at his own expense. In April of 1771 he participated in a competition held by the Academy of Parma introducing himself as a pupil of Francisco Bayeu. By the end of 1771, Goya was back in Saragossa, where he received his first official commission, the frescoes in the Cathedral of El Pilar. In 1773 Goya married Josefa Bayeu, sister of Francisco Bayeu. In 1774, the German artist Anton Raphael Mengs summoned Goya to Madrid to paint cartoons for tapestries for the Royal Factory of Santa Barbara. It is possible that Goya first met Mengs in Rome, since many years later he wrote that it was Mengs who made him return to Spain. In any event, it was Mengs who started him on his career at court. Under the direction first of Mengs, and later of Francisco Bayeu and Mariano Maella, Goya executed over 60 tapestry cartoons between 1775 and 1792, see e.g. Fight at the Cock Inn, The Parasol, La Cometa. In 1780, Goya was elected a member of the Royal Academy of San Fernando. In 1780-81, he worked on the frescoes of El Pilar in Saragossa. On his return to Madrid he received the royal invitation to paint one of seven large altarpieces for the newly built church of San Francisco el Grande. The King¡¯s opinion of his work must have been favorable, because in 1785, a year after the paintings were first shown to the public, Goya was appointed Deputy Director of Painting in the Academy. In 1786, he became a court painter. Among Goya¡¯s early admirers and most important patrons during a period of 20 years were the Duke and Duchess of Osuna, who commissioned not only portraits of themselves and a family group but also a number of paintings to decorate their country residence near Madrid, the Alameda Palace, known as El Capricho. Among other paintings for the Duke of Osuna are two altarpieces, commissioned in 1788 for the chapel of his ancestors, St. Francis Borgia, in Valencia Cathedral. In 1783-85, Goya painted a number of portraits of the influential persons of his time: the portrait of the Chief Minister of State, the Count of Floridablanca, in which Goya himself appears; the family portrait of the Infante Don Luis, the King....
Le motin de Esquilache (The Esquilache Riots). c. 1766-1767
Le motin de Esquilache (The Esquilache Riots). c. 1766-1767
The Sacrifice to Vesta. 1771
The Sacrifice to Vesta. 1771
Self-Portrait. c. 1773
Self-Portrait. c. 1773
Circumcision. Detail. 1774
Circumcision. Detail. 1774
The Holy Family. c. 1775
The Holy Family. c. 1775
Fight at the Cock Inn. 1777
Fight at the Cock Inn. 1777
The Parasol. 1777
The Parasol. 1777
La cometa (The Kite). 1778
La cometa (The Kite). 1778
The Count of Floridablanca and Goya. 1783
The Count of Floridablanca and Goya. 1783
Equestrian Portrait of Dona Maria Teresa de Vallabriga. 1783
Equestrian Portrait of Dona Maria Teresa de Vallabriga. 1783
Maria Teresa de Borb¨?n y Vallabriga. 1783
Maria Teresa de Borb¨?n y Vallabriga. 1783
The Family of the Infante Don Luis de Borb¨?n. 1783
The Family of the Infante Don Luis de Borb¨?n. 1783
Vicente Osorio de Moscoso. 1786
Vicente Osorio de Moscoso. 1786
Summer. 1786
Summer. 1786
The Marquesa de Pontejos. c. 1786
The Marquesa de Pontejos. c. 1786
The Snowstorm. 1786
The Snowstorm. 1786
The Injured Mason. 1786
The Injured Mason. 1786
The Greasy Pole (La Cucana). 1786
The Greasy Pole (La Cucana). 1786
The Fall (La Ca¨ada). 1786
The Fall (La Ca¨ada). 1786
Charles III in Hunting Costume. c. 1786
Charles III in Hunting Costume. c. 1786
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